Cityscapes as you’ve never seen them before, built from luxury watches, sapphire pools, and other media prescriptions for the perfect life.
Large-scale, hand-drilled portraits—where pixels are drilled from enormous blown-up photographs—of people killed in Mexico’s drug wars.
Large-scale abstract paintings that recall networks, maps, and schematic diagrams—and with each subsequent viewing can become anything at all.
Photographs of life inside a mining boom, from Montana to Texas, that’s producing a new, modern version of the Wild West.
Photographs from a new book of American public libraries—some famous, some neglected, some both—plus an essay by former Poet Laureate Charles Simic.
In Mumbai, paltry regulation means hundreds of new skyscrapers bring more lows than highs. Photographs of new construction, with titles named after the buildings’ advertising slogans.
Haunting portraits of ancient old-growth forests in Northern California and the people who live in the former boom town next door.
Evidence of diversity emerging in Northeast Tennessee, historically one of the United States’ most conservative, homogeneous regions.
Sumptuous, extremely close-up paintings of hair gel, body wash, and other beauty products, using 5-hour Energy powder, Viagra, and MDMA to create pigments along the way.
The power of architecture, the architecture of power—it’s all one and the same (and occasionally beautiful) in the business of high-tech.
An artist observes her own process of making art, from daily encounters with her computer to personal reflections on how life itself unfolds.
Paintings of swimmers underwater, from an ongoing series that pays homage to summers spent sinking and floating in the lakes of Minnesota.