An artist observes her own process of making art, from daily encounters with her computer to personal reflections on how life itself unfolds.
Paintings of swimmers underwater, from an ongoing series that pays homage to summers spent sinking and floating in the lakes of Minnesota.
Aerial views made from direct observation, enlivened by composite viewpoints, heightened color, and the manipulation of light and scale.
Found photographs hand-altered with embroidery and collage, transforming pictures that were somehow incomplete.
Inspired by folk tales, mythical beasts, and Portuguese azulejos, an artist paints her own version of natural history.
Many painters depict themselves, but few work exclusively in the genre of self-portraiture. Selections from Haley Hasler’s body of work—the artist in costumes of everyday life.
One woman powers herself with a solar panel. Another wears a neon sign in her Afro. In the future as in the past, identity is never one-dimensional.
Irresistible watercolors of mouthy cowboys, automobile wrecks, boxing matches, rodeo clowns, and rock bands.
Square paintings that take the smallest things—a gas station’s roof, a swing set’s leg—and find unease in the most cheerful of circumstances.
A former criminologist focuses on the lighter side of Los Angeles. Oil paintings of the city’s shops, streets, and people, with a particular focus on a single bright pink store.
Foliage bursting into living rooms. Houses floating in trees. Dynamic paintings of how natural and built spaces invade one another.
Experiencing a piece of art can be transporting, but the act of explaining it to someone else is an art form in itself. No wonder that docents, professors, even patrons get caught up in the act.