In Mumbai, paltry regulation means hundreds of new skyscrapers bring more lows than highs. Photographs of new construction, with titles named after the buildings’ advertising slogans.
The power of architecture, the architecture of power—it’s all one and the same (and occasionally beautiful) in the business of high-tech.
Aerial views made from direct observation, enlivened by composite viewpoints, heightened color, and the manipulation of light and scale.
Street photography has never been more popular, now that everyone has a camera in their pocket. But truly good work requires constant failure—and constant walking.
Giant Chinese pigeons, Scarlett Johansson’s daughter, and deliberately un-green urban living: What to expect from London, Los Angeles, and Moscow in 2040, 2070, and 2100.
Portraits of men in Philadelphia taken just moments after they catcall a woman on the street.
Pictures from a photojournalist embedded with a Free Syrian Army militia in Aleppo, the country’s largest city, now torn apart by war.
Driving from Lebanon toward Syria, across the Saudi Arabian desert to Dammam, in a taxi among the refugees of Beirut—quickly becomes the Wild West.
New York’s new bicycle-share program is a big success. Since May, bikers have taken 646,000 trips. But the initiative has also caused many rational people to explode with rage. Why? Because humans are hardwired to hate cheaters.
Micro-living is no longer just for the very poor and the very bohemian. But how much space do we really deserve? Tracking down the minimum square-footage below which no one should be forced to endure.
London’s evolution is measured in centuries, not years. But when half of the city’s new abodes go to foreign buyers—frequently as third or fourth homes—who’s steering the design? Assessing Battersea’s return from 30 years in the desert, just in time for a brand new American embassy.
For the middle-class residents of Tel Aviv, housing is either too expensive or difficult to find. On one city street, apartments are plentiful but—for more than one reason—not the kind you’d like to see.