Karolle Rabarison is at home wherever she can satisfy her coffee habit. She currently lives in Bombay.
Many painters depict themselves, but few work exclusively in the genre of self-portraiture. Selections from Haley Hasler’s body of work—the artist in costumes of everyday life.
One woman powers herself with a solar panel. Another wears a neon sign in her Afro. In the future as in the past, identity is never one-dimensional.
Ear cleaners, knife grinders, street-side barbers—portraits of Indian tradesmen who maintain caste-prescribed professions.
In the instance of slipping, there’s a moment of stillness just before you lose control. Selections from 10 years of a falling man’s self-portraits.
Foliage bursting into living rooms. Houses floating in trees. Dynamic paintings of how natural and built spaces invade one another.
Portraits of community, recreation, and environmental abuse along the riverbanks of Washington, DC’s, Anacostia neighborhood.
India’s prevailing image is one of noisy animation—development, overcrowding, and horrible traffic. In comparison, night-scapes of urban India capture the life, or lack thereof, that darkness conceals.
The Hereros of Namibia added Victorian fashion into their traditional costume under German influence in the late 19th and early 20th century. Photographer Jim Naughten explains how he became fascinated with this community.
Women of the African diaspora crowned with elaborate headpieces, celebrating might, independence, and heart.
Everyday scenes of Greece in paintings that evoke the quiet fatigue from living with economic uncertainty.
Photos that meditate on the link between fabric and movement in India’s textile and dance traditions.
Plenty of artists take inspiration from Google Maps. But Arden Bendler Browning’s abstractions of urban landscapes convince us the city—riotous and tamed, growing and decaying—is more alive than we think.