Karolle Rabarison is at home wherever she can satisfy her coffee habit. She currently lives in Bombay.
Paintings of swimmers underwater, from an ongoing series that pays homage to summers spent sinking and floating in the lakes of Minnesota.
A sharp rise recently in the price of onions in India is about a lot more than just sandwiches. When onions are up, even governments are at risk.
Photographed asleep, sunbathers on the beach show how endearing—and universally human—we all can be when we just lie down and let loose.
Inspired by folk tales, mythical beasts, and Portuguese azulejos, an artist paints her own version of natural history.
Many painters depict themselves, but few work exclusively in the genre of self-portraiture. Selections from Haley Hasler’s body of work—the artist in costumes of everyday life.
One woman powers herself with a solar panel. Another wears a neon sign in her Afro. In the future as in the past, identity is never one-dimensional.
Ear cleaners, knife grinders, street-side barbers—portraits of Indian tradesmen who maintain caste-prescribed professions.
In the instance of slipping, there’s a moment of stillness just before you lose control. Selections from 10 years of a falling man’s self-portraits.
Foliage bursting into living rooms. Houses floating in trees. Dynamic paintings of how natural and built spaces invade one another.
Portraits of community, recreation, and environmental abuse along the riverbanks of Washington, DC’s, Anacostia neighborhood.
India’s prevailing image is one of noisy animation—development, overcrowding, and horrible traffic. In comparison, night-scapes of urban India capture the life, or lack thereof, that darkness conceals.
The Hereros of Namibia added Victorian fashion into their traditional costume under German influence in the late 19th and early 20th century. Photographer Jim Naughten explains how he became fascinated with this community.