Site Specific
The tiny figures that dot Olivo Barbieri’s site-specific aerial photographs seem to be placed there by an invisible, looming architect.
Interview by Nicole Pasulka
First, the question you’ve probably answered a million times: How do you make it look as though you’ve photographed a model rather than an actual city?
With a technique called selected focus. Continue reading ↓
Olivo Barbieri’s work is on display at Yancey Richardson Gallery in New York City through Dec. 22, All images courtesy of the artist and Yancey Richardson Gallery. All images © Olivo Barbieri, all rights reserved.
Interview continued
Why have you photographed national monuments, cityscapes, and natural landmarks to look like models or reproductions?
The concept is to see the cities like a model. [To see them] like an architect who decides if they work or if it is better to change something.
What led you to represent locations this way?
In the beginning I was interested in producing images that were only partially out of focus. Soon, I discovered that in this way everything looked like a model.
How do you choose which cities to shoot?
I chose Rome because it is an open sky museum of the history of architecture. After Rome, [I shot] Las Vegas because it is an open-sky museum of life-size reconstructions of all the main buildings in the world, from pyramids to the skyscrapers.
Do you have a favorite location to shoot?
China is very interesting. I have shot Shanghai. I am looking to shoot Beijing and Sao Paulo in Brazil.
What attracts you to a certain building or monument?
There are not rules—maybe the light.
It’s interesting to see that you’ve photographed a painting to look like one of your aerial photographs. Is that what you’re looking for in these aerial views? An image of a city that resembles a paintings or miniature?
The works called “Paintings” are different. If the “real” in the series “Site Specific” looks like a model, the paintings of the old masters like Canaletto or Caravaggio can lose a bio-dimensional shape and look “real.”
What are you working on now?
My last works are “Site Specific New York” and “The Waterfall Project.” I am exhibiting them [now].