You say in your artist statement that this project is an ongoing experiment, and not an actual document of your relationship with your boyfriend, Moro. Has that been true from the beginning?
Liao:Yes. When I photograph, we perform in front of the camera. But it’s solely for the purpose of creating the photograph. We usually don’t do the things in the photos in our daily life—usually.
TMN:Have the photographs changed your relationship?
Liao:I think so. The “Experimental Relationship” project has been going on for five years, throughout the expanse of our relationship. It has become a very big part of our life. It also changed the way people view us. I think I’m becoming more and more dominant when we are outside. But at home we have a different relationship. No one is dominant all the time.
TMN:It seems that, in most of the photos, Moro holds the camera trigger, and yet your character comes across as the more powerful. How do you create each picture?
Liao:It usually starts with me setting up the camera. Then I will explain the idea to Moro. We will try several times. Usually I will give him the cable release as an illusion of control—one that I give to him. He asks me when to press the shutter.
TMN:What does love look like?
Liao:Anything. As long as two people match, no matter in what way, it’s love.
TMN:What are you working on now?
Liao:Right now, I’m doing a band with Moro (he’s a musician). The band is called PIMO (Pixy & Moro). The idea is based on “Experimental Relationship,” but the music is not just from my point of view. I would say half of the songs are from Moro’s point of view. We’ve made songs and some really stupid music videos together. We are in the process of making our first album. It’s been fun.
