The Morning News

Friday, March 19, 2010

Currently: Today at TMN, Ralph Gamelli has advice for those who just want to get away from it all. http://tmne.ws/14846
about an hour ago

Listening • Message to Mitch

Early Wednesday morning, Mitch Mitchell was found dead in a Portland, Ore., hotel room. Most notably, he was the last surviving member of the ridiculously beloved Jimi Hendrix Experience, Hendrix’s most famous and prolific trio, responsible for such incredibly favored songs as “Hey Joe,” “Purple Haze,” “Voodoo Chile,” and the Dylan cover and overused-to-cliche staple of Vietnam-focused films “All Along the Watchtower,” not to mention several others. Of all the hippie-dippie crap that never really survived being dated as such in the years following the cultural revolution of the late 60s, somehow the work of this group managed to continually find favor in the decades that followed, and, though brief, their contribution to rock and roll legend has never diminished.

Mitch Mitchell died at age 61. Before joining the Jimi Hendrix Experience, he played with another amazing (but often overlooked) group, the Pretty Things, as well as the Blue Flames and John Lennon’s ad hoc The Dirty Mac for the Rolling Stones’s Rock and Roll Circus. Then, with the Experience, he played at Monterey, the Isle of Wight, and Woodstock. All of this, and when Jimi died, Mitch was only 23.

Encomiums are understandably being posted widely across greater blogdom, and Pitchfork helpfully compiled a selection of videos featuring the band and some of Mitchell’s best work. I also find it worth noting that my very first post to the Digest featured the Jimi Hendrix Experience. The song linked below is a live performance from Berkeley of “Message to Love.” Rest in peace, Mitch. —Erik Bryan, Nov. 14, 2008

» Listen to "Message to Love" at Art Decade

SHARE THIS • EMAIL THIS • FILE UNDER: Jimi Hendrix, Mitch Mitchell, The Blue Flames, The Dirty Mac, The Jimi Hendrix Experience, The Pretty Things, The Rolling Stones, Woodstock

Listening • Playing With Fire

Don't Rip This Joint

As past instances show, pilfer from the Stones and you should expect litigation. A history of sue me, sue you blues: Verve, “Bittersweet Symphony” (for sampling amply from the symphonic version of “The Last Time”) • Janet Jackson, “What’ll I Do” (for singing “Hey hey hey, that’s what I say.”) • George Michael, “Waiting for That Day” (for the lyric “You can’t always get what you want.”) [source]
The biggest music news from the past week has to be that ABKCO Music & Records, Inc., holder of the Rolling Stones’ publishing rights, is suing Lil Wayne and his label for copyright infringement for borrowing a chorus melody and title from the Stones’ hit “Play With Fire” for Wayne’s “Playing With Fire.” Most ironically, the Stones’ representatives chide Wayne’s song for using “explicit, sexist, and offensive language.” Though it most certainly does, bear in mind their clients are the people who brought us Cocksucker Blues. Get yourself an mp3—before the court orders you can’t listen to this song anymore. —Erik Bryan, Jul. 30, 2008

» Listen to “Playing With Fire” at Living in Stereo

SHARE THIS • EMAIL THIS • FILE UNDER: Lil Wayne, The Rolling Stones

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