Foliage bursting into living rooms. Houses floating in trees. Dynamic paintings of how natural and built spaces invade one another.
Portraits of a boy who was born without eyes, from one of the 21 “new and emerging photographers” selected this year by Lens Culture.
Experiencing a piece of art can be transporting, but the act of explaining it to someone else is an art form in itself. No wonder that docents, professors, even patrons get caught up in the act.
Selections from Sam Stephenson’s multi-artist project documenting a season with the Durham Bulls, the North Carolina AAA baseball team that inspired the film Bull Durham, which celebrates its 25th anniversary this year.
From his new solo show in the United States, black-and-white selections from Takuma Nakahira’s “Circulation: Date, Place, Events,” plus a reprint of his 1973 essay, “Looking at the City or the Look From the City.”
Portraits of community, recreation, and environmental abuse along the riverbanks of Washington, DC’s, Anacostia neighborhood.
Pictures from the edges of the Northern Gaeltacht, Irish-speaking area of County Mayo in northwest Ireland and one of the last true wilderness areas in Western Europe.
India’s prevailing image is one of noisy animation—development, overcrowding, and horrible traffic. In comparison, night-scapes of urban India capture the life, or lack thereof, that darkness conceals.
New paintings that question how much we truly influence our fate, and whether or not life is just a string of accidents.
Fine-art photography from one of the snowboarding world’s best practitioners, “Creager,” who recently retired from traveling the world in search of snow.
Even abstract art must begin with something, Picasso said. A broken Polaroid camera, grinding film through its gears, yields a surprising amount of fleeting beauty.
Black and white portraits of young men and women at the Milton Margai School for the Blind in Freetown, Sierra Leone.