Our man in Boston sits down for an extended chat with the author of Billy Lynn’s Long Halftime Walk, covering Kissinger’s travel woes, the beauty of track meets, and the very best place to be a fiction writer in America: Dallas.
A young crooner’s untimely, macabre death left questions for those who would follow—musicians and fans alike. Was it suicide? Was it a hit? A listener’s query into one star’s place in the history of early rock and roll.
Our man in Boston talks to screenwriter and novelist Attica Locke about writing in Hollywood, the origins of her second novel, and where exactly British prisoners locate the moral heart of The Wire.
Our man in Boston puts the mighty Charles Yu in the ragtop and interrogates him over his background, dystopian fiction, lawyering for a day job, his lack of a creative writing graduate degree, Apple thingies, and why economists operate under pen names.
Musical therapists can improve patients’ cognitive functioning and motor skills. But sometimes the battle is to keep a mind intact. Avant-garde composition and EKG techno in a London care center.
Our man in Boston sits down with Martin Amis for their sixth chat to discuss Nabokov, dictionaries, spiteful reviews, the death of Christopher Hitchens, and the freedom of writing fiction.
Our man in Boston talks with writer Ron Rash about his latest book, America’s great regional voices, the high percentage of readers in New Zealand and Australia, and the misery that accompanies putting a novel together, where it’s rather more fun to stick pencils in your eyes.
Our series of contemporary Russian literature continues—six months, six stories from some of Russia’s best working writers, plus interviews with their authors, all of it sponsored by Powells.com. This month we feature one of Moscow’s finest chroniclers.
Our man in Boston sits down with the author of The Financial Lives of the Poets to talk about his latest novel, how to survive in Hollywood, the ins and outs of contemporary publishing, and that unheralded Paris of the Northwest, Spokane.
Today we’re launching a new series of contemporary Russian literature, with six stories in six months, including interviews with their authors, sponsored by Powells.com. Will one of them blow your mind? We begin with the “Queen of Russian Horror.”
For decades, the U.S. government banned medical studies of the effects of LSD. But for one longtime, elite researcher, the promise of mind-blowing revelations was just too tempting.
Our man in Boston and the author discuss her latest novel, Enchantments, the writing process, how book reviewing works at the New York Times, what it’s like to be nastied, and the life and times of two writers raising children without a television in the house.