Our man in Boston and Jim Shepard, the author most recently of You Think That’s Bad, discuss whacko projects, researching short stories by jet, and how much gold it takes for a writer to dump Knopf’s Gary Fisketjon.
Ciuraru has written for the New York Times, the Los Angeles Times, the San Francisco Chronicle, the Boston Globe, the Wall Street Journal, and other publications. She has also edited...
The gap between literary and historical fiction is mostly a marketing ploy—at least until a novelist meets a survivor of her story’s plot.
As lightbulbs are to the moon, first stories are to finished books. John Warmer chats with the writer Philip Graham, his former professor, about finding topics, developing mentors, and reaching readers.
Writer seeks pen name: something simple, nothing dippy, and preferably one that avoids implying a lawyer who savors puns.
For agents and publishers, the Frankfurt Book Fair is publishing’s biggest event: part conclave, mostly marathon, and all business. It is absolutely no place for an aspiring author, as we discover.
Writers aren’t born, they’re made—from practice, reading, and a lot of caffeine. And sometimes tutelage.
A new sport is taking hold, one that involves marshmallows, sticks, and fire.
Describing a character over 300 pages is one thing—reducing yourself to three lines is another. One man struggles with a writer’s greatest challenge: the byline.
A gift in the mail is a joy to open—a gift every month (or less) trumps that. For those stumped on how to tie up their holiday shopping, our resident shopping expert advises you to pour yourself some ’nog, and order a few magazines.
Rosemary’s Baby author Ira Levin died this week—and it wasn’t a lousy book review that killed him.
When writing for online magazines, crime doesn’t always pay—but it can earn you a fashionable T-shirt. Investigating the current era of crime fiction on the web and the magazines that are making new voices heard.