Many painters depict themselves, but few work exclusively in the genre of self-portraiture. Selections from Haley Hasler’s body of work—the artist in costumes of everyday life.
The city of New York employs nearly half a million citizens, more than any other municipality in the country. We decided to speak with some of those employees about their...
Daily life can wear you down when your freshman-year roommates are gray-haired and flirting with dementia. Then again, the best lessons may come that way.
A reporter spends a season trailing one of London’s most infamous soccer clubs while its soul is rebuilt from scratch. From July, a cautionary tale—for New Yorkers, especially—of super fans, gonzo money, and the doctrine that is “organic football.”
The world of the myope is often a nicer place—faces lack wrinkles, and trees seem to be painted by Monet. Then, during a visit to Moscow, a black spot appears.
The United States is a huge country, much too big for the nightly news. Our series continues where one of our editors randomly calls people in small towns around America to find out what’s really going on.
Former Pope Benedict XVI has left the Vatican, returning to his former life. But even with the church’s retirement package, how can private citizenship compare? A poem for Mr. Ratzinger.
Everyday scenes of Greece in paintings that evoke the quiet fatigue from living with economic uncertainty.
The NFL is an emperor with no clothes, no morals, and vaults of gold. As we prepare for Super Bowl XLVII, author Dave Zirin explains how greed and corruption have ruined the game, endangered players, and fleeced the public.
Pictures of post-war America—views of factories, construction sites, and printing plants—drawn from the career of Ezra Stoller, one of the world’s first and best architectural photographers.
Our man in Boston sits down for an extended chat with the author of Billy Lynn’s Long Halftime Walk, covering Kissinger’s travel woes, the beauty of track meets, and the very best place to be a fiction writer in America: Dallas.
Our man in Boston talks to screenwriter and novelist Attica Locke about writing in Hollywood, the origins of her second novel, and where exactly British prisoners locate the moral heart of The Wire.