Our series of contemporary Russian literature continues—six months, six stories from some of Russia’s best working writers, plus interviews with their authors, all of it sponsored by Powells.com. This month we feature one of Moscow’s finest chroniclers.
Today we’re launching a new series of contemporary Russian literature, with six stories in six months, including interviews with their authors, sponsored by Powells.com. Will one of them blow your mind? We begin with the “Queen of Russian Horror.”
This winter, a burgeoning protest movement laid its cornerstone in a former swamp and up grew hope. Our correspondent talks to protesters, editors, commentators, and Kremlin-watchers in anticipation of this weekend’s election and what comes next.
A spate of arrests reveals Russian spies have been living undetected in the U.S., posting on Facebook—and tending to their gardens.
Last month’s suicide attacks in Moscow shocked anyone who studied Dzhanet Abdullayeva’s photo. But it wasn’t her baby face or cold blood that impressed our writer. It was her choice of metro stations.
Though his hair frequently resembled mid-‘70s Rob Reiner, his gaze was more erratic. On the occasion of Gogol’s 200th birthday, tracking the evolution of his visage.
Wandering along the Arbat in Moscow, Elizabeth Kiem finds the residence of a Russian singer who spent a year in a concentration camp during World War II, and who claims never to have known her true home.
Some claim Russia’s Medvedev is a False Dmitry; others—especially the new prime minister—insist he’s the real deal. A look at Russia’s post-election party-protests.
You’ve read much about Boris Yeltsin’s legacy this week. His biggest may be the mean little man in the Kremlin who’s the butt of few jokes.