Why we like the music we do is a matter of personal history—and in at least one case, a profound experience of hearing David Bowie.
Music writing and music enthusiasm don’t mix—let’s change that. With the help of an army of YouTube commenters, we gush over our selections for the 31 best albums of the year.
When Roger Ebert died in 2013, America was deprived of one of its finest film critics. But reviewing his body of work shows we also lost one of our best writers on addiction.
A full calendar year of only listening to music that was released in 2013 comes down to this: The Morning News Editor’s Choice Awards for the 19 best albums of the year.
A year’s worth of music listening, whittled down to the core. Because in the end, there can be only 10.
Once again, we convene our film scholars, plus critic Michelle Orange, to discuss a major movie: The Master, by Paul Thomas Anderson—a masterpiece of craftsmanship, or merely an exercise of cinema and violence with no story in the center?
Yes, yes, The Exorcist and Night of the Living Dead are reliably traumatizing, but at this point they’re comfort food, and there’s plenty more to discover in the world of horror cinema.
Our man in Boston sits down with Martin Amis for their sixth chat to discuss Nabokov, dictionaries, spiteful reviews, the death of Christopher Hitchens, and the freedom of writing fiction.
Our man in Boston and the author discuss her latest novel, Enchantments, the writing process, how book reviewing works at the New York Times, what it’s like to be nastied, and the life and times of two writers raising children without a television in the house.
Not everyone can be a judge in the Tournament of Books. Not every novel deserves a rave. But what if the world’s best books were reviewed all at once? The ultimate Frankenstein of reviews.
It’s the end of the year, and time to sum it up: Ten albums, all great, no filler.
A morning, a bicycle, a macchiato. Or five? This time, a sensible coffee shop tour. But in the end, it still may be described in only one way.