Gallery owners don’t often show up in the art they sell—probably because they’re too busy having meetings to pose. But an art gallery itself turns out to be as much a theatrical diorama as a place of business.
Intimate, candid portraits that capture the intimacy, private moments, and self-sufficiency of girlhood, from the riveting book Girl Ascending.
Americans have always regarded their cars as more than vehicles, and nothing demonstrates that aspiration better than the typography and proper nouns used to name those dreams.
Portraits of jets at play in the Italian Alps, children posed like adults, and adults bobbing in the sea.
Large-format abstract photographs that use light to create celestial shapes we recognize—in some cases because they began as Christmas lights.
Vivid, fun, and surprising photographs where sex is mysterious and playful. Some images may not be safely viewed in an office environment.
Portraits that find Manhattan’s Lower East Side in 1980 and 2010 showing different faces—blight, renewal, and the pursuit of hipsterdom—and also many things that (thankfully) never change.
Using a darkened home, precisely placed mirrors, and the occasional judicious cut in a wall, light becomes sculpture.
Portraits of young men in Panama showing off their bikes—strikingly decorated, variously macho, and altogether priti.
Pictures where the eye lingers not only on the image, but in it, as if something is waiting still deeper inside.
Photographs of people at war by the co-director of Restrepo, from an upcoming show at New York’s Yossi Milo Gallery.
Three series where the photographer waits until his subject finds a moment of perfect lighting.