Photographed asleep, sunbathers on the beach show how endearing—and universally human—we all can be when we just lie down and let loose.
Travel is mostly boredom—and if you’re not bored, you’re pretty sure that everyone else is having more fun. For professional travel writers, the feeling’s not just true, but considerably worse.
A project to document Wisconsin’s broad variety of deer stands takes on new meaning after a round of chemotherapy.
Magazine publishing is a dark art. But the world of niche publishing—people who create magazines for necrophiliacs or donkey hobbyists, or for those of us who like to ride really small trains—features its own requirements.
Dirt is difficult to see on glass. That’s why so many people don’t bother to hire a professional for the job—they just can’t see what’s wrong.
Many painters depict themselves, but few work exclusively in the genre of self-portraiture. Selections from Haley Hasler’s body of work—the artist in costumes of everyday life.
Giant Chinese pigeons, Scarlett Johansson’s daughter, and deliberately un-green urban living: What to expect from London, Los Angeles, and Moscow in 2040, 2070, and 2100.
Pictures from a photojournalist embedded with a Free Syrian Army militia in Aleppo, the country’s largest city, now torn apart by war.
Driving from Lebanon toward Syria, across the Saudi Arabian desert to Dammam, in a taxi among the refugees of Beirut—quickly becomes the Wild West.
When a photographer reviews 35 years of unposed family pictures—unexpected moments, children growing older—a symphony appears.
In early New England, anyone who stood near an open door or window faced mortal danger. A conversation with a woman who hunts for gravestones with epitaphs describing death by lightning strike.
Multi-layered photographs show people’s inner lives merging with their environments—suggesting that what we see of reality is less than what actually exists.