For decades, the NFL has been supported by ads that degrade women. But something changed in 2013—and it’s got everything to do with concussions. Prepare for the battle of mama-friendly beer spots.
During holiday family get-togethers, don’t risk bringing up a topic everyone’s hoping to avoid. Instead, bring a board game and circumvent all conversation. Here are 10 of the best from 2013.
Lincoln’s speech at Gettysburg was short: only three minutes long, following a moving, two-hour performance by famed orator Edward Everett. It also was nearly meaningless.
This summer in Manhattan, it was important to wait in line for an hour to see light designed by James Turrell. Many bought the hype. Many were angry afterward.
The spread of the selfie produces daily turmoil, from columnist doom-mongering to celebrity scandals. Meanwhile, the world just took a billion more. Defense of a misunderstood phenomenon.
The recent ho-hum reaction to the purchase and ensuing buyback of Frommer’s obscures one key fact: Guidebooks are creators of social change. A defense of their place in the canon.
New York’s new bicycle-share program is a big success. Since May, bikers have taken 646,000 trips. But the initiative has also caused many rational people to explode with rage. Why? Because humans are hardwired to hate cheaters.
America is full of guns—one gun for every citizen—and Americans often use them to shoot one another. After this week’s failure of gun-control legislation to survive the Senate, it’s not enough anymore to say Americans love their guns. The question is: Why do we kill?
It’s easy to hate Starbucks until you admit it’s responsible for nearly everything good in today’s coffee culture. Now the behemoth is poised, with a recent acquisition, to introduce America to hundreds of years of tea culture. A tea maker is grateful.
Oh look, it’s the holidays and time to interact with humans again. Thankfully, there are board games to facilitate or replace conversation. Here are 10 of the year’s best to get you started.
Once again, we convene our film scholars, plus critic Michelle Orange, to discuss a major movie: The Master, by Paul Thomas Anderson—a masterpiece of craftsmanship, or merely an exercise of cinema and violence with no story in the center?
There is a brand of humor with an inherent meaning so dark that, even though we may wish we hadn’t laughed, we’re programmed to think it’s funny. An explanation of a joke about a pedophile.