A visit to a bear sanctuary could cure you of your bear phobia. Or it could turn your fear into a full-blown obsession.
Haunting portraits of ancient old-growth forests in Northern California and the people who live in the former boom town next door.
Aerial views made from direct observation, enlivened by composite viewpoints, heightened color, and the manipulation of light and scale.
A newborn wavers between life and something else. For the father, a walk in the woods elucidates the struggle between nature and nurture.
In early New England, anyone who stood near an open door or window faced mortal danger. A conversation with a woman who hunts for gravestones with epitaphs describing death by lightning strike.
Selections from the monumental but unknown Illustrations of the Nests and Eggs of Birds of Ohio, an amateur’s attempt to illustrate the nests and eggs omitted from John James Audubon’s Birds of America.
Warning: The great American wilderness is home to many hungry stomachs, including some that reside in animals weighing 600 pounds more than you. Also: They travel in groups.
Already 2013 has seen America drive off the fiscal cliff, only to freeze momentarily, then either reverse in mid-air or drop straight into the canyon—depending on how you look at it. Here’s more of what to expect over the next 12 months.
Manhattan is rife with lumberjacks, Los Angeles is hot for Appalachia, and the latest trend in pornography is cabins. Yes, cabins. But when a woman leaves New York for a log structure of her own, a metamorphosis occurs.
A series of imposing mountain ranges made from cornices of thick paint, ridges lightly shadowed, and humans hidden in the snow.
When a Frankenstorm arrives from Haiti with destructive powers, the semi-professional student of zombie literature and history has a unique ability to perceive the arrival of end times. Welcome to America’s new normal: the nonfictional apocalypse.
Intricate designs found in large-scale, labor-intensive relief prints made from the cross sections of trees and lumber.