Our man in Boston sits down with author and New Yorker editor Ben Greenman to discuss independent publishing, the edges of art, and Celebrity Chekhov.
Our man in Boston sits down to chat with author Jennifer Egan about her new novel, A Visit From the Goon Squad, and what it’s like to write in PowerPoint.
Ten years after their first conversation, author David Mitchell and our man in Boston discuss 18th-century Japan, shoplifting from other novels, and Mitchell’s annual Christmas party.
A conversation with Australian novelist Richard Flanagan about the erosion of book culture, Nicole Kidman’s genius, and souls that are ever underline-able.
Our man in Boston goes the distance with author and New Yorker editor David Remnick in a conversation about President Obama, magazine publishing, and American Idol.
As lightbulbs are to the moon, first stories are to finished books. John Warmer chats with the writer Philip Graham, his former professor, about finding topics, developing mentors, and reaching readers.
Our man in Boston talks to Michael Ondaatje about why he writes novels, how he measures satisfaction, and when fiction can succeed by operating like poetry.
Our man in Boston talks to Tobias Wolff about the art of revision, how writing programs are good for training skilled readers, and why Robert Olen Butler still signs stock.
The turntablist now known as DJ Premier got help at critical moments in his rise from a piano-playing childhood in Houston, and these days he’s looking to spread the love.
Our man in Boston chats with author Gil Adamson about Toronto’s literary mafia, the fact-checking that plagues novelists, and the difficulty of listing 10 Canadian writers.
Our man in Boston talks with novelist Joseph O’Connor about writing historical fiction, the role of the Irish in the American Civil War, and the trouble of trilogies.
In a wide-ranging discussion, our man in Boston talks with novelist and skeptic James Howard Kunstler about life as it is, life as it could be, and life as we may encounter.