Our man in Boston talks to screenwriter and novelist Attica Locke about writing in Hollywood, the origins of her second novel, and where exactly British prisoners locate the moral heart of The Wire.
Once again, we convene our film scholars, plus critic Michelle Orange, to discuss a major movie: The Master, by Paul Thomas Anderson—a masterpiece of craftsmanship, or merely an exercise of cinema and violence with no story in the center?
Yes, yes, The Exorcist and Night of the Living Dead are reliably traumatizing, but at this point they’re comfort food, and there’s plenty more to discover in the world of horror cinema.
A post-World War II documentary, banned by the military in 1946 but lately released online, is one of the earliest depictions of psychotherapy. But it says even more about contemporary Americans’ interest in the veterans they love to praise.
With blockbusters like Snow White and the Huntsman, Zombie Overkill, and Yahtzee: Alien Invasion, it’s already a smash hit for summer movies. But serious film buffs know Summer 2013 will be even better—and we’re not just talking about Jerry Bruckheimer’s live-action Hungry Hungry Hippo Apocalypse.
Our film scholars and Wes Anderson watchers, along with movie critic Michelle Orange, evaluate the filmmaker’s latest release, Moonrise Kingdom, where people get struck by lightning as a matter of course.
Big-budget films tell us earthquakes are bad, volcanic eruptions can be catastrophic, and meteorite strikes—barring the presence of Bruce Willis—may kill us all. Seeking expert advice on how scared we should be.
An unfinished autobiography and a 1980s biopic turned Frances Farmer, one of the great golden-era stars, into a lobotomized zombie. The main trouble: Frances Farmer wasn’t lobotomized. An investigation to set one of Hollywood’s most convoluted stories straight.
With more than 70 TV show premieres this fall, who has time to watch them all? Or even know what any of them are about? With no prior knowledge of the shows’ premises, here are some guesses.
Following his triumphant appearance on Jeopardy, IBM’s Watson supercomputer strikes a deal to replace Charlie Sheen on CBS’s hit comedy Two and a Half Men.
If you tell Johnny Depp he’s hideous looking, he’ll think you’re the first person he’s met who sees past his physical appearance—and other lessons.
Pop culture is fizzy. Mainstream TV is where the fizz goes flat. A preview of the networks’ forthcoming dramas based on trendy Twitter feeds.