There’s a new Spider-Man movie in the works, but it’s not the one you’re expecting. Thanks to the magic of crowd-funding, it could be the summer blockbuster nobody sees.
Andy Kaufman performed for more than just laughs—in fact, his goal often seemed to be something entirely different. A budding comic chases Andy’s ineffable comedy.
The Oscars are consistently irrational, but we wanted more for David O. Russell’s fantastic Silver Linings Playbook. Film critics David Haglund, Pasha Malla, and Michelle Orange discuss why the movie so divided critical opinion, and became such a hit with audiences.
Yesterday morning, a plane landed at an airport. A man who was or was not a famous actor, and a writer who was or was not in love with him, stood on the verge of finally meeting. A Valentine’s Day story for the romantic and/or foolish at heart.
The White House recently turned down a petition to build a Death Star. More responses from the official rejection pile.
Our man in Boston talks to screenwriter and novelist Attica Locke about writing in Hollywood, the origins of her second novel, and where exactly British prisoners locate the moral heart of The Wire.
Once again, we convene our film scholars, plus critic Michelle Orange, to discuss a major movie: The Master, by Paul Thomas Anderson—a masterpiece of craftsmanship, or merely an exercise of cinema and violence with no story in the center?
Yes, yes, The Exorcist and Night of the Living Dead are reliably traumatizing, but at this point they’re comfort food, and there’s plenty more to discover in the world of horror cinema.
A post-World War II documentary, banned by the military in 1946 but lately released online, is one of the earliest depictions of psychotherapy. But it says even more about contemporary Americans’ interest in the veterans they love to praise.
With blockbusters like Snow White and the Huntsman, Zombie Overkill, and Yahtzee: Alien Invasion, it’s already a smash hit for summer movies. But serious film buffs know Summer 2013 will be even better—and we’re not just talking about Jerry Bruckheimer’s live-action Hungry Hungry Hippo Apocalypse.
Our film scholars and Wes Anderson watchers, along with movie critic Michelle Orange, evaluate the filmmaker’s latest release, Moonrise Kingdom, where people get struck by lightning as a matter of course.
Big-budget films tell us earthquakes are bad, volcanic eruptions can be catastrophic, and meteorite strikes—barring the presence of Bruce Willis—may kill us all. Seeking expert advice on how scared we should be.