Photographs from a new book of American public libraries—some famous, some neglected, some both—plus an essay by former Poet Laureate Charles Simic.
In Mumbai, paltry regulation means hundreds of new skyscrapers bring more lows than highs. Photographs of new construction, with titles named after the buildings’ advertising slogans.
Haunting portraits of ancient old-growth forests in Northern California and the people who live in the former boom town next door.
Evidence of diversity emerging in Northeast Tennessee, historically one of the United States’ most conservative, homogeneous regions.
Sumptuous, extremely close-up paintings of hair gel, body wash, and other beauty products, using 5-hour Energy powder, Viagra, and MDMA to create pigments along the way.
When Roger Ebert died in 2013, America was deprived of one of its finest film critics. But reviewing his body of work shows we also lost one of our best writers on addiction.
The power of architecture, the architecture of power—it’s all one and the same (and occasionally beautiful) in the business of high-tech.
The truth behind Washington’s Birthday, President’s Day, Presidents’ Day, or whatever the hell you want to call it, as briefly explained by puppets.
An artist observes her own process of making art, from daily encounters with her computer to personal reflections on how life itself unfolds.
Sometimes a love scene calls for [WHIMPERS], sometimes it needs [YELPS], but knowing which one to use makes all the difference. The secret life of a professional closed captioner.
Paintings of swimmers underwater, from an ongoing series that pays homage to summers spent sinking and floating in the lakes of Minnesota.
Aerial views made from direct observation, enlivened by composite viewpoints, heightened color, and the manipulation of light and scale.