Cityscapes as you’ve never seen them before, built from luxury watches, sapphire pools, and other media prescriptions for the perfect life.
Large-scale, hand-drilled portraits—where pixels are drilled from enormous blown-up photographs—of people killed in Mexico’s drug wars.
The Heartbleed Bug exposed a well-known secret: Passwords suck. But that’s really nothing new—just ask the Romans. Explaining the password’s past and future.
Large-scale abstract paintings that recall networks, maps, and schematic diagrams—and with each subsequent viewing can become anything at all.
The present-day lust for ruins is nothing new. In fact, it’s nearly as old as any ruins themselves. From a flattened Louvre to Percy Bysshe Shelley, a journey to the dawn of ruin porn.
Twice a year, a group of friends gathered in a coal-mining pocket of Pennsylvania—friends in their twenties with fragile identities, who didn’t know yet what would happen.
Photographs of life inside a mining boom, from Montana to Texas, that’s producing a new, modern version of the Wild West.
Her neighbors remember her as “the bag lady,” but Vivian Maier was secretly a street photographer who would leave behind an artistic trove that captured the public’s imagination.
Photographs from a new book of American public libraries—some famous, some neglected, some both—plus an essay by former Poet Laureate Charles Simic.
In Mumbai, paltry regulation means hundreds of new skyscrapers bring more lows than highs. Photographs of new construction, with titles named after the buildings’ advertising slogans.
Haunting portraits of ancient old-growth forests in Northern California and the people who live in the former boom town next door.
Evidence of diversity emerging in Northeast Tennessee, historically one of the United States’ most conservative, homogeneous regions.