In a spectacular new video from Braids, vocalist Raphaelle Standell-Preston is singing around architecture.
In elaborate collages and installations, paper can generate elements that are capable of building new worlds.
Paintings of New York from the perspective of a plane flying at 1,200 feet, along the Hudson River.
Large-scale abstract paintings that recall networks, maps, and schematic diagrams—and with each subsequent viewing can become anything at all.
In Mumbai, paltry regulation means hundreds of new skyscrapers bring more lows than highs. Photographs of new construction, with titles named after the buildings’ advertising slogans.
The power of architecture, the architecture of power—it’s all one and the same (and occasionally beautiful) in the business of high-tech.
Micro-living is no longer just for the very poor and the very bohemian. But how much space do we really deserve? Tracking down the minimum square-footage below which no one should be forced to endure.
London’s evolution is measured in centuries, not years. But when half of the city’s new abodes go to foreign buyers—frequently as third or fourth homes—who’s steering the design? Assessing Battersea’s return from 30 years in the desert, just in time for a brand new American embassy.
Using a darkened home, precisely placed mirrors, and the occasional judicious cut in a wall, light becomes sculpture.
Construction continues at the new World Trade Center—as does criticism of the approved designs. But a look deep inside the new structure shows the progress so far has proven to be in exactly the right direction.
For centuries, New Yorkers have looked for relief to the trees of Governors Island—nearby, but a forbidden world away. A new plan to make it more accessible won’t make them feel any better.
When the new High Line Park opened last summer, New Yorkers lined up to be disappointed. A recent transplant finds it full of miracles.